Featured: Linocut Reduction
Printmaking with Michelle Kaczmarcik
This beginner block printing class introduces the core techniques of relief printmaking, from designing a simple image to carving it into a block and printing it by hand. We’ll go over how to transfer your design, safely use carving tools, and work with ink and paper to create clear, expressive prints. Along the way, you’ll get a sense of how line, texture, and contrast come into play in this tactile, hands-on process.
The focus is on learning by doing, with plenty of time to experiment and troubleshoot as you go. You’ll come away with a small edition of prints, your carved block, and a foundational understanding of the tools and materials involved. This class is a practical, low-pressure entry point into a process that can be adapted for use at home with minimal equipment.
Class Details
Date: Saturday, June 28th 10am-3pm
Duration: (10am-3pm includes hour break)
Cost: $95
Materials Needed: NONE
Materials Provided:
I’m a relief printmaker working primarily with linoleum blocks using the reduction method to create detailed and colorful limited-edition prints. I have a strong preference for oil-based inks and lighter-weight Japanese papers. My background in photo editing and graphic design influences the initial structure, clarity and layout of my compositions, while the patterns and textures found in nature at large —and sometimes my garden— provide continuous inspiration. I utilize a small etching press for most of the editions and often work with upwards of 7 color layers per print.
I’m motivated heavily by the design process — frequently choosing the palettes before selecting the subjects, and often experimenting with registration to ensure accuracy throughout the many pulls. Each carving stage of the block results in a new color layer, which interacts with the one before it. All of these combined lead to the final composition and all require focus. For me, the technique is as rewarding as the finished art. This method of print design pushes me forward with experimentation and research of different linocut and woodblock styles as I focus on future projects. When starting new prints, it feels like I’m just beginning on this path of creativity, and am eager with the realization that I forever have so much to discover.
