Patti Russotti

Featured Class:
Expanding the Frame: Making Alternative Digital Prints, Mark-Making, Mixed Media

Sunday - Wednesday
June 13th - 16th, 2027
10:00 am - 4:00 pm

$1,500 for 4 days.
Materials fee: $100 - $150.

Please join Patti to play, create, work, and expand your boundaries! Would you like to add new options to your repertoire and explore new ways of working and thinking about images on a page? This hands-on workshop is designed for artists and image makers eager to expand their creative repertoire and explore alternative printmaking techniques.

We’ll create one-of-a-kind prints on diverse substrates such as paper, textiles, glass, metal, wood, and more. Through a playful, exploratory process, you’ll work with digital images, hand-drawn marks, illustrations, mono-printing, and hand coloring. Patti will demonstrate techniques for layering, transferring, and combining images, both new and existing, onto various surfaces.

Expanding the Frame:

  • Make alternative digital prints with inkAID Transfer Film and Transfierez

  • Use inkAID Receptive Coatings on a variety of surfaces, making any substrate that will safely fit through your printer inkjet ready

  • Print directly on Awagami inkjet-ready papers, then add transfers, more receptive coatings, marks, color, and wax

What you’ll learn:

  • How to make image transfers with inkAID Transfer Film and compare two different inkAID Transfierez solutions

  • How to coat and print (on a pigment printer) to a variety of surfaces with inkAID Receptive Coatings

  • Creative techniques to combine digital imagery with analog processes such as mono-printing and trace mono-printing

  • Mark making with inks, R&F drawing sticks, colored pencils, charcoal, oil pastels, and more

  • How to incorporate transfers into encaustic work (wax layers)

  • Methods for building complex, layered compositions

  • How film transfers compare to prints made on inkjet-ready Awagami papers, how beautifully those papers work with wax, and how to add transfers to them

  • Finishing techniques for a professional presentation

Bonus: pre-workshop Zoom class

Before the in-person workshop, you’ll join a Zoom session that covers:

  • Preparing your images for film transfers

  • Making your own film transfers vs. sending to a lab

  • Combining drawings, textures, and digital photos

  • Planning mixed-media compositions

  • Inspiring examples from other artists

  • Digital-to-analog process insights

  • The art of play, experimentation, and embracing wabi-sabi

  • Using transfers as stand-alone images or as components within larger works

Class Details

Date: Sunday - Wednesday, June 13th - 16th, 2027

Duration: 4 days, 10am-4pm daily, plus a pre-workshop Zoom class

Cost: $1,500 + $100 - $150 materials fee

Level: All levels. Previous experience is not required.

Materials and supplies

  • inkAID film and Transfierez (gloss and matte)

  • inkAID receptive coatings

  • Brushes, rollers, and jars with lids for mixing chemistry

  • A variety of substrates: paper, glass, metal, wood, wallpaper, and more

  • Awagami inkjet paper

  • R&F drawing sticks

  • Colored pencils, ink, Art Graf, and other mark-making tools

Patti will share a full list of what she provides and what to bring in the pre-workshop Zoom class.

Is this workshop for you?

  • We will be the first to experience a new Transfierez solution from inkAID!

  • Previous experience is not required.

  • If you already work with some of these techniques, this is a great way to expand and enrich your practice.

  • Would you like to think differently about how you construct your images?

  • Want to learn how to transfer photos onto wood, glass, fabric, metal, and more?

  • Curious about bridging analog and digital art practices?

  • Interested in layering digital imagery with traditional printmaking, collage, wax, or mixed media?

If yes, you’ll love this workshop!

Included in your workshop fee

  • 4 days of instruction and the pre-workshop Zoom class

  • Use of a fully equipped printmaking studio

  • Coffee and tea

  • Use of pigment inkjet printers

  • Use of printing presses, for mono-prints and for transferring images to a substrate

  • Akua inks for mono-printing and trace mono-prints

  • Awagami inkjet-ready sample packs for printing

  • R&F drawing sticks and additional supplies and substrates

Not included

  • Lodging

  • Transportation

  • Lunch and dinners

Your art needs play. Play, experiment, and feel some joy. Discover the happy accidents you didn’t know were possible, and what you like and dislike. If you stop playing, you will stop growing.

About Patti Russotti

Artist, explorer, maker, and educator, Patricia Russotti’s current work is focused on entropy, negentropy, nature, and the small things she stumbles upon within the existing world. Russotti is passionate about the examination of nature, and the alchemical magic that occurs within natural phenomena and the creative process.

Patti’s work has been consistently showcased through solo, group, and juried exhibitions, and is held in international private and corporate collections. Her practice reflects a breadth and depth of experience and skill in image making (including analog, digital, alternative, and historic processes), workflow, and digital output to a variety of substrates, such as fabric and washi. Russotti has been training and presenting on Adobe Photoshop and Lightroom since the first versions of the applications and uses these tools in the creation of her work.

Currently, she creates and offers workshops online and in person to help emerging and established artists combine digital and analog tools to expand their art practice and clarify their intent. Russotti believes in creating a loop of working digital to analog to digital to analog, and in the impact that has on one’s practice.

Her evolving methodology is continually featured at national and international conferences, where she has been a regular presenter since the 1980s. She is the co-author of Digital Photography Best Practices and Workflow Handbook: A Guide to Staying Ahead of the Workflow Curve (Elsevier/Focal Press, 2010).

Patti holds M.S. and Ed.S. degrees from Indiana University and spent four decades as a professor, now Emeritus, at Rochester Institute of Technology, most recently in the School of Photographic Arts and Sciences.

See more at pattirussotti.com.